' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_a99ad725-2b65-4934-b51b-5f62ed64a178" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-a99ad725-2b65-4934-b51b-5f62ed64a178'; adUnit.className = 'pw-div'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'sky_btf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-a99ad725-2b65-4934-b51b-5f62ed64a178'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-a99ad725-2b65-4934-b51b-5f62ed64a178'));
2003
着信アリ
Directed by Takashi Miike
Synopsis
Death cannot be put on hold...
People mysteriously start receiving voicemail messages from their future selves, in the form of the sound of them reacting to their own violent deaths, along with the exact date and time of their future death, listed on the message log. The plot thickens as the surviving characters pursue the answers to this mystery which could save their lives.
' ].join(''); if ( adsScript && adsScript === 'bandsintown' && adsPlatforms && ((window.isIOS && adsPlatforms.indexOf("iOS") >= 0) || (window.isAndroid && adsPlatforms.indexOf("Android") >= 0)) && adsLocations && adsMode && ( (adsMode === 'include' && adsLocations.indexOf(window.adsLocation) >= 0) || (adsMode === 'exclude' && adsLocations.indexOf(window.adsLocation) == -1) ) ) { var opts = { artist: "", song: "", adunit_id: 100005950, div_id: "cf_async_501ff8bb-702d-450f-9c59-cbad373dc394" }; adUnit.id = opts.div_id; if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } var c=function(){cf.showAsyncAd(opts)};if(typeof window.cf !== 'undefined')c();else{cf_async=!0;var r=document.createElement("script"),s=document.getElementsByTagName("script")[0];r.async=!0;r.src="//srv.tunefindforfans.com/fruits/apricots.js";r.readyState?r.onreadystatechange=function(){if("loaded"==r.readyState||"complete"==r.readyState)r.onreadystatechange=null,c()}:r.onload=c;s.parentNode.insertBefore(r,s)}; } else { adUnit.id = 'pw-501ff8bb-702d-450f-9c59-cbad373dc394'; adUnit.className = 'pw-div -tile300x250 -alignleft'; adUnit.setAttribute('data-pw-' + (renderMobile ? 'mobi' : 'desk'), 'med_rect_atf'); if (target) { target.insertAdjacentElement('beforeend', adUnit); } else { tag.insertAdjacentElement('afterend', adUnit); } window.addEventListener('DOMContentLoaded', (event) => { adUnit.insertAdjacentHTML('afterend', kicker); window.ramp.que.push(function () { window.ramp.addTag('pw-501ff8bb-702d-450f-9c59-cbad373dc394'); }); }, { once: true }); } } tag.remove(); })(document.getElementById('script-501ff8bb-702d-450f-9c59-cbad373dc394'));
- Cast
- Crew
- Details
- Genres
- Releases
Cast
Ko Shibasaki Shinichi Tsutsumi Kazue Fukiishi Anna Nagata Atsushi Ida Mariko Tsutsui Azusa Karen Ôshima Renji Ishibashi Gorô Kishitani Kayoko Fujii Yutaka Matsushige
DirectorDirector
Takashi Miike
ProducersProducers
Fumio Inoue Naoki Sato Yoichi Arishige
WriterWriter
Minako Daira
Original WriterOriginal Writer
Yasushi Akimoto
CastingCasting
Tsuyoshi Sugino
EditorEditor
Yasushi Shimamura
CinematographyCinematography
Hideo Yamamoto
Assistant DirectorAsst. Director
Kato Fumiaki
Production DesignProduction Design
Hisao Inagaki
Art DirectionArt Direction
Tetsuya Uchida
Set DecorationSet Decoration
Yoshio Yamada
ComposerComposer
Koji Endo
MakeupMakeup
Asuka Hosokura Yoko Nakamura Etsuko Egawa
Studios
KADOKAWA TOHO 3L Filmverleih
Country
Japan
Primary Language
Japanese
Spoken Languages
English Japanese
Alternative Titles
Chakushin ari, Llamada perdida 1, Mistet opkald, La mort en ligne, 1. ubesvart anrop, The Call, The Call - Non rispondere, La Mort en ligne, Llamada perdida, Один пропущенный звонок, 鬼来电, שיחה שלא נענתה, Trucada perduda, Ligação Perdida, 착신아리, Cevapsız Arama, Nieodebrane połączenie, Zmeškaný hovor, 鬼來電, Praleistas skambutis, Uma Chamada Perdida, สายไม่รับ ดับสยอง
Genres
Horror Fantasy Mystery
Themes
Horror, the undead and monster classics Intense violence and sexual transgression Terrifying, haunted, and supernatural horror Gory, gruesome, and slasher horror Twisted dark psychological thriller Creepy, chilling, and terrifying horror Gothic and eerie haunting horror Show All…
Releases by Date
- Date
- Country
Theatrical
03 Nov 2003
- Japan
17 Jan 2004
- France12
- USA
09 Jul 2004
- South Korea
Physical
24 Feb 2020
- UK15
Releases by Country
- Date
- Country
France
17 Jan 2004
- Theatrical12
Japan
03 Nov 2003
- Theatrical
South Korea
09 Jul 2004
- Theatrical
UK
24 Feb 2020
- Physical15
USA
17 Jan 2004
- Theatrical
112mins More atIMDbTMDb Report this page
Popular reviews
More-
Review by Rafael "Parker!!" Jovine ★★★ 8
ACTION! - KILLER MIIKE
Decided to give this one another try, not only because I didn’t remember much about it after watching it but maybe wanted to see if my okay rating was a matter of not being in the right mindset or the film itself. And to some extent, it leans more towards the latter.
Many of my initial thoughts still hold true. The performances are pretty strong. They all do a great job capturing the dread and the horror that gradually consumes them as this ghost thing goes after them. I still think the remake’s ringtone is scarier, but I liked the tune here. Those images, like that scene with that character hanging and some of the deaths…
-
Review by Héctor ★★★★★ 7
every asian horror movie is literally ruined by the american version huh
-
Review by Tony the Terror ★★★★★ 6
Some people like to brush this off as a copycat film to Ringu, but the fact is that even if it does have a similar “cursed technological item” story, Miike elevates it above any normal standards and truly makes it a film (and series) of its own.
I’d love to give you an in depth review right now, but I just spent the last part of my evening in a group chat with my friends waxing philosophical about a guy who makes YouTube videos of himself frolicking in strangers backyard cesspools. Yes it’s a real thing and yes these are the people I inexplicably enjoy spending my time with and I love them, but it does make writing a very…
-
Review by ZaraGwen ★★★½ 2
I have absolutely no idea what that ending was
-
Review by Ian West ★★★
Very much on brand with Ringuand Pulse, One Missed Callfeatures a great first act, ponders a bit in the middle before bringing it all home. Miike’s atmosphere is always on point throughout, especially during the tension drenched setpieces. Still though, as much as I liked revisiting this it’s very much a straight Miike jam, abandoning his signature surrealistic absurdities which I love so much. That works here though and One Missed Call is quite good, not in my top ten Miike or top Ten Japanese horror jams, but a creepy good tale for the early flip phone generation. The ring tone in this is one of the eeriest things I’ve ever heard and I kinda love it!
Watched with my friend Michele, Good times!
-
Review by Rafael "Parker!!" Jovine ★★★ 6
In terms of tone, J-Horror films from the 90s and early 2000s might look very similar thanks to a very introspective tone, a slow burn, and the use of technology as a vehicle for vengeful entities to cause great suffering to the victim. In fact, as I watched this film, I couldn't help but notice how Miike and company sorta did a conceptually remake of "Ringu".
However, unlike Hideo Nakata's classic, this one lacks the same consistency in terms of quality or how memorable it ends up being. In fact, this is one of the cases where I think the American remake had a greater impact on me, especially thanks to the main melody that functions as the theme that…
-
Review by aurora 𖦹 ★★★½
my chances of survival are 0% because I don’t answer my phone nor do I listen to my voicemails
-
Review by Aberrant Ghoul ★★★★½ 21
In the decades that followed World War II, Japan became a country in transition. A country that wholeheartedly embraced technological advancement during this period of rapid economic growth. A country that embraced the future, perhaps in an effort to leave the bitter memory of the war behind them. To think of Japan in this way, however, only gives us a view of one side of the coin. While they embraced Western culture and technology with great zeal and fervor, Japan was also a country that clung tenaciously to its past, as well as its own rich cultural heritage. What emerged from the chrysalis of that postwar period was a country that existed simultaneously in two periods. Where you could cross…
-
Review by MJsays ★★★½
An unnerving little horror outing that’s just as messy as it is consistently spooky. It’s an odd one, but that kind of works in its favour.
-
Review by Bob McQueen ★★★½
Fun creepy little story about the cycle of abuse and making sure you keep your psychotic asthmatic daughter breathing.
-
Review by Blue Ghosts ★★★★
Hey guys I have the dead girl phone with the ringtone that’s evil
-
Review by Sam ★★★½
This has dated incredibly aggressively and I'm not sure if the plot made thattt much sense but fuck me the scares work so well here. Despite his usual bombastic style, Miike really knows how to be subtle when a film calls for it
Related Films
Similar Films
All
Powered by
Nanocrowd